KDawn+Stone



[|**Curiosity**] A Photoblog by Mohammad Abdullah

This photograph is of a young boy and his reflection. It appears to be framed by the horizontal lines of the cabinet and the floor. The floor is the separation between the top and the bottom of the reflection. The boy’s face on the left is balanced by the mirroring reflection of itself and also horizontally by the leg of the cabinet. The contrast of the dark frame compliments the bright middle. The boy’s hand seems to be perfectly centered in the middle of the shot giving it an appearance of wholeness.
 * __Composition __**

 In this photograph there are a few things that depict space. One of these things is the cabinet that is in the foreground. This sort of foreground frame gives us the sense that the child is peering from behind the cabinet. The child’s hand seems to be reaching from the background and rests slightly in the middle ground drawing attention to the depth of the dresser at which we are looking through at the child. The brightness of the background where the child is brings us through the darkness and depth of the dresser and gives us the impression of almost being in the room with the child.
 * __Space __**

 There isn’t much color in this picture which is beneficial to the space of and composition of this photo in that, color could have distracted from the balance and the depiction of space within the darks and brightness. The color of the boy’s eyes are dark brown to black in color and compliment the contrast between dark and light and compliment the dark frame that is depicted by the dresser.
 * __Color __**

 In this picture tone is portrayed by the illumination of the world in which it feels we are looking into. Because the frame of the picture causes depth it puts us as the viewer at a distance from the light source and gives the impression that we under something and are looking out into a bright subject based room. Also this contrast is complimentary to the boy’s eyes and bring your attention into his gaze.
 * __Tone __**

In this picture called curiosity, form is portrayed within the depth of the foreground middle ground and back ground. In the background is the little boy’s body. In the middle ground is the boy’s hand and this is slightly larger depicting its closeness to the viewer in comparison to the child’s body. The child’s body is resting on the floor and his weight is felt. It is apparent the boy’s body is real in that apparent show of form that is portrayed by the way his body rests gently on the ground. The darkness at which the cabinet frames the picture gives a sense of depth in that the viewer is the one that is in the depth of space and looking out at the boy gives a sense of being able to crawl out and into the room so depth is created in two ways one with the scale of the child’s hand to his body and second with the change in the darkness to the contrast of the brightness in the background.
 * __Form __**

This picture was taken in the Middle East by a man who must have been a relative or close friend to this subject. The boy in this picture has an apparent familiarization with the photographer in that he seems to involved with him in some sort of game of Peek A Boo. It isn’t uncommon for people who live in hotter climates to have stone floors. However the type of polished stone here seems to come from a person’s house that is middle to well off. The darkness of the wood of the cabinets is also an indicator that the family has money as it would’ve had to have been imported, as not many trees grow in that area. Considering the boy is about two years old he is adventurous and full of fun. Young children make good subjects as they are always being themselves and aren’t afraid to let their biggest eyes or smiles or tears shine through. It’s as if they haven’t let their ego’s take over their thought process. The boy in this picture  looks under the cabinet with his eyes full of playfulness. His mouth is open slightly as he is either getting ready to make noise about his find or heis taking a breath in as he gasps in excitement.
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A Photoblog by Mohammad Abdullah
 * [[image:Color.jpg]]B **[|**Colour**]

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this photograph composition is portrayed within the balance of the unfocused space surrounding the boy and the vertical lines of his horse. In the middle of this photograph sits the boy on top of his Merry-Go-Round horse. On either side of the horse and boy is what appears to be the blurred lights of the Merry-Go-Round’s podium. Balanced in the realms of left and right we are also balanced in the top and the bottom by the red and yellows in the top half and the whites and yellows of the bottom. Also in corresponding contrast are the tracers in the top with the details of the horse in the bottom. Both equally give attention for the eye and creates almost a seamlessness between the four quadrants that is depicted in this picture.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Composition __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">The way in which the photographer focused the boy and the horse and the lack of focus he applied to the background which is that of the Merry-Go-Round, is a depiction of space. The lack of focus on the background creates a frame of focus for the boy and the horse which shows them in a vast space but at the same time brings the eye into the foreground because of the chaotic appearance of the background which also depicts movement which in itself is a creator of the appearance of space in this photograph.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Space __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">This photograph appears to be swimming in color, however there are basically two colors here the reds and golds which portray the background and give the photo warmth and the blues of the boys sweater and jeans which give this picture an even tighter frame on what aught to be looked at (the boy).
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Color __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> In this picture tone is portrayed in the hue of the red in the background and the use of white in what appears to be the foreground. This use of tone gives the appearance of depth in the Because of the use of light in the foreground the darker reds in the back add depth to the photograph. There seems to be a lot of natural light in this picture and this is also adding depth as the use of the color white in the foreground and then the dark red and shadow in the background.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Tone __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> In this picture form is depicted by the horse’s ears. One of the ears the one that appears to be closer to the viewer is viewed as so because it is slightly larger than the other ear. If I were to paint this picture it would be easy to depict the form in that even in its current state it doesn’t depict much volume. The child almost seems weightless on the horse. The horse appears weightless in comparison to its surroundings. It is however appropriate for there to be almost no depiction of volume as it gives the picture more movement and the weightlessness one feels when being twirled around in circles.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Form __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this photograph also shot in the Middle East a young boy is ridding a carousel and it is already in motion. The carousel a symbol of celebration is typically found at fairs and amusement parks. The boy in this picture is wearing a blue sweatshirt and blue jeans this says that it is defiantly not a summer festival or fair. I think that because he is dressed in warmer clothes this indicative of a fall or winter festival or fair. The carousel has been around for many years although I know this picture was taken in the last ten years and this is gauged by the style of the boys clothing. In the Middle East a more traditional outfit was worn in the past however in present time children are allowed to wear a more western style of clothing. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">
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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> Photograph of a scene from the movie "Cupid's Day Off"

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> In this picture called “Trouble’s a Brewin” you see the four main subjects the three men and the woman in the horizontally stripped skirt in the foreground and are supposed to be the main focal point of the picture. The middle ground is composed of six couples towards the left through the middle and the three figures hovering in the doorway on the right. On the left in the background are three figures and a couple directly above the main foreground character on the left and then on the right through the doorway in the background are three characters all lined in a row and appear to be peering through the doorway at the disturbance of the upcoming sprawl. All of these characters are balanced throughout to portray a sense of a crowd.
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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this photo from the classic film Cupid’s day off, space is depicted by the horizontal lines on the ceiling and the floor and the vertical lines of the columns. The characters in the photo are a depiction of the lack of space everything surrounding them is the space and the vertical and horizontal lines frame the idea of where that space is that starts with the people’s forms and ends at the ceiling and the floor and continues from one pillar to the next and into the next room.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Space __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Considering this is a still shot from a black and white cinema it is easily accepted to be without any colors
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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> Tone is portrayed in this shot in many ways. A painter would have a great deal of tone to cover if they were to paint this picture. There is a lot of subject matter in this shot and lots of lighting as well. This creates tone in the way some of the main characters and important key figures are lit up. There isn’t a lot of shading as the entire bar scene is important and it’s not just any background it’s a background that creates and gives to the storyline. There is minimal shading in the arches on the ceiling and they brighten up enough to send the eye back down to each of the four main characters that they are framing. It also appears as if there are two spotlights behind the two main archways. In this position it ads more light to the figures standing in the background. In the room on the right there appears to be a natural light source coming from a window. I believe this light source to pull the eye through the archway in order for the men in this room to be seen. Another contrast of tone that is pleasing to the eye is the stark contrast between what appears to be white and what appears to be shadow. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> Form is inherent in this shot due to the sizes of the people. The figures in the foreground are apparently larger giving the appearance of a being closer than the smallest heads that are peeking out from the background. The smaller subjects in the background are relevant in the matter that they appear to be the furthest away from us. Another way that form is depicted is the way the subjects hats sit on their heads. The hats look as though they are properly weighted on the subject’s heads. Another depiction in volume is the way the people’s feet are rested on the ground. And the last depiction of volume is depicted in the characters with the seemingly round bellies.
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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this photo the subjects are all actors in the film Cupid’s Day Off. Shot in 1919 all these subjects are dressed accordingly with bowler’s hats and long skirts. The actors are shot in black and white as the invention of colored film had not yet happened. The characters in this shot are dancing and a fight is about to break out. This scenario goes along with the idea of the bar scenes in 1919. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">
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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Times Square by Ben Tucker at [|www.tuckerphotography.co.uk]

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">The composition of this picture is somewhat original or different from others being that there is only one vanishing point and that is the direct middle of the photograph. It also seems that the street light is right above our heads and yet it isn’t obstructing the view this gives this picture a sense of weightlessness in that you could spin it in either direction and still feel as though the only top is the middle of the picture and never an edge.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Composition __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this photograph space is depicted in an unusual way. Usually space is at the top or in the surrounding areas. In this photograph space is shown in the direct middle and surrounding the focal point depicted by the black areas.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Space __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this photograph mostly cool colors are being used and are portrayed in various hues of blue. However there are some cases of red and yellow as well which are classic colors often related to when one thinks of signs. The darkness of the blue in the sky portrayed in the middle is almost complimentary to the ring of the more vibrant blue that is surrounding the outer edge of the circle. There are also hints of purple and green. All these colors are subtle r blend in enough not to take away from this busy scene and to not take away attention from the vanishing point which is where the focus is intended.
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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this photograph tone is portrayed by the bright lights of the buildings and signs and is contrasted by the space or looking area of the sky. At the base of the buildings is where we see the brightest lights and it slowly gets darker as we head towards the vanishing point in the middle of the photograph. This contrast in light and darkness creates a larger appearing bottom on the buildings in the foreground and the darkness gives the appearance that the buildings are smaller at the top which also appears further away.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Tone __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> In this picture form is depicted by the vanishing point in the middle. All the buildings are scaled according to that vanishing point. This is apparent in the wideness of the bottoms of the buildings in comparison to the tops of the buildings which are small and pointy. The thickness of the bottoms of these buildings shows their great weight whereas the tops are thin and look light as though they will just float off into space.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Form __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this photograph the subjects are the buildings and the lights and the surrounding sky. The date of this photograph is unknown. However it is possible that this picture was taken in the last two decades as the woman on the billboard seems to have an updated look that is applicable to the nineties up until now. This photograph was obviously taken at night which is obvious in the lights of the buildings and billboards or signs. These buildings are located in Time square which is in New York City in the United States of America. This picture is appealing because it is a depiction of the New Yorker or American’s glamorous and glittery city life that has become such a stereo type in the world whenever New York is being portrayed. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">
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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> Dandelion, Dori Moreno

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this photograph the composition is portrayed within the balance of the dandelions in the foreground and the sun in the background and the clouds at the bottom and the top. The clouds seem to frame the picture and bring the eye into the middle. The dandelions and the sun contrast each other in that the dandelions are spread out and randomly placed; they are shaded dark and are balanced with the contrast of the focused and concentrated bright form of the sun.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Composition __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this painting there was potentially a lot of empty space considering the smallness of the dandelions and the distance from them to the sun. However the clouds are in the perfect position in order to keep the picture tight and to keep the eye from wandering right out of the picture. This perfect balance of subject matter gives the area a ring or halo which the eye can circulate on with just a small window of space in the middle to keep it from being too busy or chaotic.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Space __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> There is minimal color in this picture. This lack of color or presence of blue creates enough color recognition to create the atmosphere of the sky which is an important matter when portraying a sun which is so deep in the sky. This airy effect that is generated by the slight hue of blue is complimentary to the depth of the picture. The slight hue of green in the base of the stems also brings us back down to earth. These two contrasting symbolic colors really create space between the ground and the heavens that contain the sun.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Color __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">The way chiaroscuro is portrayed in this photograph is very elementary and yet very artistic and brilliant. The sun illuminates so brightly it is hard not to squint because it appears so real. In contrast is the underside of the dandelions, which is the side we are exposed to and it is very dark. These two extremes are dramatic and are what gives this picture its oomph. These two extremes are also what are creating depth and distance in the photograph.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Tone __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this picture form is portrayed in the position of the subjects. The sun which is far off in the background is shown to be far away by the rays of light which almost creates a vanishing point in the sun which gives the impression that the sun is really far away. In the middle ground are the clouds this gives the picture more depth. In the foreground is the bunch of dandelions the way the shadows give them depth makes us feel as though we are under them in the lowest part of the picture even if we are looking at the picture and it is at eye level. The one blooming dandelion In this picture is more in the middle ground and has great shading giving the appearance of depth and distance.
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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this photograph the subject matter is only that of nature. Nature can be portrayed as ancient to brand new. However this picture is obviously not ancient and was probably taken with film. It has color as well and so it was probably taken in the last thirty years. The presence of only nature gives the viewers of this a picture of calmness and purity. The sun a hard subject is often portrayed when it is half mast of slightly covered. In this picture the sun is at its brightest and it gives us the effect of actually looking at a light source which gives me the impression that this picture may have been photo shopped. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">
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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> Geisha © William Vazquez

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> In this picture we see a Geisha standing on rocks with two umbrellas placed by her feet. Because this figure is in the very middle of the picture there needs to be some sort of distraction to keep the eye from getting stuck in the middle. The weight of the rocks and umbrellas at the bottom of the figure are contrasted by the whiteness of the figures face and shoulders. The oranges seem to be strategically placed in order to bring our eyes out of the middle to give the picture movement and balance in weight from top to bottom. The reflection of the halo around the Geisha seems to reflect and mirror the umbrella and their reflections in the water. Because of the symmetrical-ness of the umbrellas the picture is balanced left to right as well.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Composition __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this photo space is defined by the subject and the oranges. Not because the oranges are the space but because the space surrounding our subject was just an empty and unnoticeable event until the oranges were added. Adding the oranges brought movement to the surrounding space. This is a way of tightening up the picture in the sense of bringing the classical subject (the Geisha) and expanding her accessories to include not only the rocks and the umbrellas but to also incorporate the oranges and the darkness that was merely just a void before.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Space __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">The colors used in this photo are mainly oranges, golds, beiges and blacks, browns and whites. The brightness of the oranges are contrasted by the darkness of the blacks and browns of the background. The oranges are also complimentary to the orange color in the Geisha’s kimono. The stark white of the Geisha’s face, neck and shoulders is contrast to the rest of the picture and is framed by the darkness of the background.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Color __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this picture there appears to be a halo or glow coming from around the subject. This glow or illumination lets the viewer know what is to be seen. There are also a few reflections in the foreground in the water, these are indicative of overhead lights. These overhead lights are probably used to light the Geisha’s face and shoulders helping them to get their intended attention. In contrast around the edges of this photo is darkness, it appears to be the frame for the content. This darkness also helps the oranges to stand out and compliments the orange.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Tone __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this picture there is a lot of subject matter. This makes it easy for the photograph to depict visual depth. In this picture the oranges in the foreground are slightly larger than the ones in the middle ground and noticeably larger than the ones in the background. The oranges are falling from above and upon hitting the water create a splash this is a great way to show their weight. The oranges that are floating in the water also give a sense of weight. The way the woman’s foot is placed on the step with her two toes curling over the rock gives a sense of her walking towards us. The shadow of her leg behind it confirms her slight advance.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Form __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> In this Photograph the subject matter is a Geisha, Geisha are often symbols of art, dance, and prostitution. In this photograph the photographer is portraying the Geisha in an artistic manner. The picture also contains oranges which may symbolize freshness and cleanness. In relation to the Geisha a virginal Geisha is much more desired so in a roundabout way the oranges and the water could mean to symbolize virginity. The paper umbrellas at her feet could symbolize her openness. All these subjects placed in this way almost give this picture resemblance to the painting of Venus in the clam shell. The Venus painting was supposed to symbolize the ocean giving forth the most sublime of beauties. Venus is portrayed standing in a clam shell with her garments loosely about her. In this painting the Geisha’s leg and shoulders and partial chest are exposed and her Kimono seems to be falling slightly off her.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Subject __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">In this photo the fish, one of three focal points is being eyed by two other subjects, a cat and a baby. The balance of the three figures creates a sort of triangular shape for the eye. This triangle is accentuated by the curtain and the reflections on the table. The horizon line is towards the bottom of the picture and this gives us the impression that we are also close to the floor like the baby and the cat. The reflection in the table gives a mirror image of the cat the baby and the fish bowl. This reflection was induced by the light coming from the window and compliments it.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Composition __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> The fish bowl in this photograph is obviously the main subject and the surrounding space seems to be a minor in comparison. The two supporting figures the cat and the baby support the eye in bringing back the attention to the fish bowl. This slight triangle is forming a form of vanishing view point with the fish bowl at the center. The cat and the baby are slightly behind the fish bowl bringing the fish bowl forward and bringing the fish bowl more into the main spotlight. Because the horizon line of the figures is closer to the bottom of the picture it feels as though we are closer to the subjects and at the same level as them as well.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Space __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">The colors in this picture are light and are mostly composed of different shades of blue. The colors of the cat and the baby are similar and in that they are complimentary. The fish is the only color that stands out. The fish is a dark red and is the brightest color and the darkest at the same time, making it stand out even more in this light filled scene.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Color __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> The tone in this picture is mostly bright in the middle and then darker around the edges. The fish bowl and the immediate surrounding area seem the brightest. This sort of spotlighting creates a place for the eye to go first and last. The way that each of the four corners is dark seems to give the picture an invisible X this also brings the eye back to the fish bowl.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Tone __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Because of the amount of light that is reflected through the fish bowl, the bowl seems to be weightless. This may be due to the transparency of the bowl and the water making it easy to see empty space instead of glass and water. The colored glass beads at the bottom of the fish bowl and the shadow of the bowl itself are the only things that counteract this seeming weightlessness. The way that the baby is gripping the baby gives him a slight appearance of three dimensional weight; as does the cats darker coloring make him appear to be heavier.
 * __<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Form __**

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> Both the cat and the baby have their eyes on the fish. This picture says disaster is about to happen what are you going to do about it? They picked the perfect subject matter to coincide within the insinuation of the story. The cat symbolically is a threat to the fish and the baby the symbol of accidents waiting to happen. The fish is a Beta or otherwise known as the fighting fish is representative of what this picture is trying to say.
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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">A Photoblog by Mohammad Abdullah
 * <span style="color: white; font-family: 'Arial','sans-serif'; font-size: 14pt;">B **[|**Colour**]


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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;"> Photograph of a scene from the movie "Cupid's Day Off"


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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;"> Time Square by Timothy's Photography on Flikr


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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;"> Dandelion, Dori Moreno


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<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;"> Geisha © William Vazquez


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